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Camp Blood: The Musical

     If you’re anything like me and think that next to guys crying on television, musicals are just the lamest fucking thing to ever be laid upon the human race, then you’ll understand my apprehension about wasting precious porno time on musicals. Now don’t get me wrong I love Rocky Horror, Little Shop, and Cannibal as much as the next man, but those are serious exceptions to my profound hatred of the musical. 

     Well folks, meet my new exception and BEHOLD!!!! Camp Blood :The Musical. If you’re a fan of Friday the 13th, Sleepaway Camp, Slaughter High, and anything 80’s than you need to get some popcorn, wrap yourself up in your favorite West Side Story blanket call up that guy who sang in every play all through high school and hung out with no one but girls but who you say isn’t gay just “ultra feminine”, and get ready to fucking laugh.

     Camp Blood :The Musical is written, directed, and edited by the genius team of Tanner Barklow, Jefferson Craig, and Thomas Hughes. Set in the Green Mountains CBTM is the story of a jock, a nerd, a slut, a Goth chick, a virgin, and a rebel, (sounds like a bootleg version of The Breakfast Club) who go up to the camp to work as counselors and get stalked and killed by a dude in a ski mask, the stand out performance for me was Fia Alvarez who played the virgin Kris and Cain (the rebel), played by Jacob Wolf. Now before you all put on your “jaded asshole" pants and scream “Its All Been Done Before”, it has, however in the span of a half hour you are treated to an ass-load of tits, asses, coke, booze, pot, fucking, and girls being cranially impaled in the midst of a blow job. Where else could you find a musical number performed by the killer himself with his victims doing the background dancing behind him?  With a fantastic soundtrack that is a hybrid of 80’s pop with a twist of Goblin and songs titled “It’s a Chase (Death Race)”, and “When the Tops Come Off”, (which by the way is performed by two topless girls, CBTM has one of the catchiest, most brilliantly crafted, marvelously morbid soundtracks I have ever heard.

     In Conclusion I know I gave kudos to those who stood out but everyone in the cast was fantastic. Not only does CBTM deliver laughs and good music, but it is a fine addition to anyone’s slasher-film collection. I’m kinda bummed because not for a long time have I seen anything this brilliant come out of nowhere, and I’m afraid that for an even longer time I never will.

 

 

 


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